File:1900, Cézanne, Cistern in the Park of Chateau Noir.jpg
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Paul Cézanne: Cistern in the Park of Château Noir
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Artist |
artist QS:P170,Q35548 |
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Title |
Français : Citerne au Parc du Château Noir English: Cistern in the Park of Château Noir |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre |
landscape painting ![]() |
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Description |
English: Between 1899 and 1902, Cézanne worked at the Château Noir estate outside Aix-en-Provence. The neo-Gothic buildings of this peculiar country manor were unfinished, giving it the appearance of a ruin. The original owner, who manufactured lampblack (a type of pigment made from soot), had- according to rumor-painted the entire mansion black and practiced black magic, or sorcery, there, supplying the name "The Black Castle." The modern stone cistern at Château Noir seen at the left of this painting contrasts with the ancient boulder at the center; the rock's distinctive shape suggests the flint artifacts unearthed in the region. Local mythology also had it that the surrounding archaeological attractions and strange geological formations housed magical forces.
-gallery label from the Princeton University Art Museum |
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Date |
circa 1900 date QS:P571,+1900-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 61 cm (24 in); width: 74.3 cm (29.2 in) dimensions QS:P2048,61.0U174728 dimensions QS:P2049,74.3U174728 frame: height: 84.5 cm (33.2 in); width: 97.2 cm (38.2 in); depth: 6.6 cm (2.5 in) dimensions QS:P2048,84.5U174728 dimensions QS:P2049,97.2U174728 dimensions QS:P5524,6.6U174728 |
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Collection |
institution QS:P195,Q2603905 |
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Current location |
European art, Modern art |
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Accession number |
L.1988.62.4 |
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Object history | Jos Hessel (1859–1942), Paris, by 1914; [sold to Paul Cassirer, 31 Mar. 1914]; sold to Rudolph W. Vollmoeller, Vaihingen-Stuttgart, 18 May 1916; by descent to Hans R. Vollmoeller, Uster, Switzerland, by 1950; sold to Mr. Richard H. Zinser, Forest Hills, NY, Oct. 1950; sold to Henry Pearlman, 1 July 1952; Henry and Rose Pearlman Foundation, after 1974. | ||||||||||||||||||||||||||
Exhibition history |
Cézanne: les ateliers du Midi: Palazzo Reale, Milan (19 Oct 2011 – 26 Feb 2012) Endless Forms: Darwin, Natural Science and the Visual Arts: Yale Center for British Art (12 Feb 2009 – 3 May 2009) Right Under the Sun - Painting in Provence from Classicism to Modernism (1750 - 1920): Musées de Marseille (15 Apr 2005 – 21 Aug 2005); The Montreal Museum of Fine Arts (22 Sep 2005 – 8 Jan 2006) Cézanne in Focus: Watercolors from the Henry and Rose Pearlman Collection: Princeton University Art Museum (19 Oct 2002 – 12 Jan 2003) 1900: Art at the Crossroads: Royal Academy of Arts, London (16 Jan 2000 – 3 Apr 2000); Solomon R. Guggenheim Museum (18 May 2000 – 13 Sep 2000) Cézanne: The Collections of the Henry and Rose Pearlman Foundation and Mrs. Rose Pearlman: Princeton University Art Museum (1 Feb 1992 – 5 Apr 1992) Sainte-Victoire, Cézanne: Musée Granet (15 Jun 1990 – 2 Sep 1990) Art of Cézanne from the Henry & Rose Pearlman Foundation: Brooklyn Museum (2 May 1986 – 14 Jul 1986) Cézanne: Paintings, Watercolors, Drawings, and Prints from the Henry and Rose Pearlman Foundation and the Collection of Mrs. Rose Pearlman: Princeton University Art Museum (22 Sep 1984 – 4 Nov 1984) Paul Cézanne: The Collection of Mr. and Mrs. Henry Pearlman: Fine Arts Museums of San Francisco, California (26 Jun 1982 – 29 Aug 1982) Cézanne: The Late Work: The Museum of Modern Art, New York (7 Oct 1977 – 3 Jan 1978); Museum of Fine Arts, Houston (26 Jan 1978 – 19 Mar 1978); Réunion des musées nationaux, Galeries nationales du Grand Palais (20 Apr 1978 – 23 Jul 1978) An Exhibition of Paintings, Watercolors, Sculpture and Drawings from the Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation: Brooklyn Museum (22 May 1974 – 29 Sep 1974); Princeton University Art Museum (8 Dec 1974 – 14 Ma Summer Loan 1971: Paintings from New York Collections: Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation: The Metropolitan Museum of Art (13 Jul 1971 – 7 Sep 1971) Impressionism, Post-Impressionism, Expressionism: The Mr. & Mrs. Henry Pearlman Collection of Works by Cézanne, Van Gogh, Degas, Tolouse-Lautrec, Manet, Modigliani, Soutine, and Others: Wadsworth Atheneum Museum of Art (10 Jun 1970 – ?) New York Collects, 1968: The Metropolitan Museum of Art (3 Jul 1968 – 2 Sep 1968) Cézanne and His Contemporaries: The Mr. and Mrs. Henry Pearlman Collection: Detroit Institute of Arts (14 Jun 1967 – 1 Oct 1967) Summer Loan Exhibition, 1966: The Metropolitan Museum of Art (8 Jul 1966 – 6 Sep 1966) Collection of Mr. and Mrs. Henry Pearlman: Munson-Williams-Proctor Arts Institute (1972 – 1972) The Henry Pearlman Collection: Brooklyn Museum (22 May 1964 – 15 Oct 1964) Cézanne and Structure in Modern Painting: Solomon R. Guggenheim Museum (6 Jun 1963 – 1 Sep 1963) Paintings from Private Collections: Summer Loan Exhibition 1961: The Metropolitan Museum of Art (1961 – 1961) Drawings, Watercolors, and Oils by Paul Cézanne Lent by an Anonymous Collector: Harvard Art Museums (1 Jul 1959 – 1 Sep 1959) A Loan Exhibition of Paintings, Watercolors and Sculpture from the Collection of Mr. and Mrs. Henry Pearlman for the Benefit of Greenwich House: M. Knoedler & Company (27 Jan 1959 – 21 Feb 1959) Anonymous Collection: Baltimore Museum of Art (1 Jul 1958 – 1 Sep 1958) Exposition pour commemorer le cinquantenaire de la mort de Cézanne: Pavillon de Vendôme (21 Jul 1956 – 15 Aug 1956) Cézanne: Rarely Shown Works: Fine Arts Associates (10 Nov 1952 – 29 Nov 1952) Centenaire de Paul Cezanne: Musée des Beaux-Arts de Lyon (25 Mar 1939 – 27 Jun 1939) Centenaire du peintre indépendant Paul Cézanne: Réunion des musées nationaux, Galeries nationales du Grand Palais (17 Mar 1939 – 10 Apr 1939) Paul Cézanne (Kunsthalle Basel): Kunsthalle Basel (30 Aug 1936 – 12 Oct 1936) XVIII. Jahrgang 1915/16: Dezember: Paul Cassirer Gallery, Berlin (16 Feb 1916 – 4 Mar 1916) |
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Credit line | The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum | ||||||||||||||||||||||||||
Notes | Rewald (1996) 907 Venturi 780 | ||||||||||||||||||||||||||
References |
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Source/Photographer | Princeton University Art Museum | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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current | 02:59, 5 September 2015 | ![]() | 1,653 × 2,000 (3.92 MB) | Djkeddie | User created page with UploadWizard |
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- Wikidata:WikiProject sum of all paintings/Collection/Princeton University Art Museum/Europe
- Wikidata:WikiProject sum of all paintings/Creator/Paul Cézanne
- Wikidata:WikiProject sum of all paintings/Missing depicts/Landscape art
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Image title | L.1988.62.4 |
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Camera manufacturer | Hasselblad |
Camera model | Hasselblad H3D-39 |
Author | Bruce M White |
Exposure time | 13/1 sec (13) |
F Number | f/16 |
ISO speed rating | 50 |
Date and time of data generation | 13:46, 2 April 2012 |
Lens focal length | 100 mm |
City shown | %G |
Headline | L.1988.62.4 |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS5.1 Macintosh |
File change date and time | 10:49, 6 June 2012 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 13:46, 2 April 2012 |
Meaning of each component |
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APEX shutter speed | 7.9999999962747 |
APEX aperture | 8 |
Metering mode | Center weighted average |
Flash | Flash did not fire |
Color space | sRGB |
IIM version | 2 |
Keywords | L.1988.62.4 |