Quai de Clichy. Temps gris (Q110038400)
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painting by Paul Signac (1887)
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Quai de Clichy. Temps gris |
painting by Paul Signac (1887) |
Statements
1887
QUAI DE CLICHY. TEMPS GRIS.png
1,277 × 881; 3.25 MB
1,277 × 881; 3.25 MB
Quai de Clichy. Temps gris (French)
1 reference
Provenance Marié, Malmaison (exchanged with the artist for a bicycle) Delaporte, MalmaisonFélix Fénéon, Paris (acquired by 1925) Georges Bernheim, ParisGaston Lévy, Paris (acquired in April 1927 )Lotté, Paris Raphaël Gerard (acquired on 24th August 1943; inventory D 3233)A. de la Chapelle, Paris (acquired for 85.000 FFR, probably through Galerie Bénézit)Hildebrand Gurlitt, Paris & Aschbach (by December 1947 and probably from 1943) Cornelius Gurlitt, Munich (by descent from the above)Restituted by the estate of the above to the heirs of Gaston Lévy in July 2019 (English)
1 reference
Marié Malmaison, eingetauscht gegen ein Fahrrad;Delaporte, Malmaison;1925: Félix Fénéon, Paris;Seit 1927 bis Oktober 1940: Gaston Lévy, Paris;Nach Oktober 1940: wahrscheinlich von den deutschen Besatzern im Château Les Bouffards beschlagnahmt;(...);Lotté;24. August 1943: Raphaël Gerard;20. November 1943: [A.] de la Chapelle [wahrscheinlich Galerie Bénézit, Paris];(Wahrscheinlich in den 1940er Jahren von Hildebrand Gurlitt in Frankreich erworben);Spätestens Dezember 1947: Hildebrand Gurlitt, Aschbach;Durch Erbgang an Cornelius Gurlitt, München/Salzburg;Seit 6. Mai 2014: Nachlass Cornelius Gurlitt (German)
1 reference
Gaston Lévy, Paris (acquired in April 1927)Lotté, ParisRaphaël Gerard (acquired on 24th August 1943; inventory D 3233)A. de la Chapelle, Paris (acquired for 85.000 FFR, probably through Galerie Bénézit)Hildebrand Gurlitt, Paris & Aschbach (by December 1947 and probably from 1943)Cornelius Gurlitt, Munich (by descent from the above)Restituted by the estate of the above to the heirs of Gaston Lévy in July 2019 (English)
65.5 centimetre
46 centimetre
Quai de Clichy. Temps gris (Cachin 142) by Paul Signac
0 references