Bullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls (Q79891223)

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print by Francisco de Goya (Spanish, 1746-1828) (1923.556)

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Language	Label	Description	Also known as
English	Bullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls	print by Francisco de Goya (Spanish, 1746-1828) (1923.556)

Statements

instance of

print

1 reference

reference URL

https://clevelandart.org/art/1923.556

retrieved

8 December 2019

image

Francisco de Goya - Bullfights- The Moors Use Donkeys as a Barrier to Defend Themselves Agains - 1923.556 - Cleveland Museum of Art.jpg
3,400 × 2,337; 5.65 MB

1 reference

reference URL

https://clevelandart.org/art/1923.556

retrieved

8 December 2019

Francisco de Goya - Bullfights- The Moors Use Donkeys as a Barrier to Defend Themselves Agains - 1923.556 - Cleveland Museum of Art.tif
5,156 × 3,544; 52.3 MB

1 reference

reference URL

https://clevelandart.org/art/1923.556

retrieved

8 December 2019

title

Bullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls (English)

1 reference

reference URL

https://clevelandart.org/art/1923.556

retrieved

8 December 2019

location

Cleveland Museum of Art

1 reference

reference URL

https://clevelandart.org/art/1923.556

retrieved

3 March 2023

collection

Cleveland Museum of Art

1 reference

reference URL

https://clevelandart.org/art/1923.556

retrieved

8 December 2019

inventory number

1923.556

collection

Cleveland Museum of Art

1 reference

reference URL

https://clevelandart.org/art/1923.556

retrieved

8 December 2019

described at URL

https://clevelandart.org/art/1923.556

1 reference

reference URL

https://clevelandart.org/art/1923.556

retrieved

8 December 2019

copyright status

public domain

determination method or standard

determined by GLAM institution and stated at its website

1 reference

reference URL

https://clevelandart.org/art/1923.556

retrieved

8 December 2019

 

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